In honor of Thanksgiving, I prepared a double feature of Brendan Fraser turkeys. Opening the twin bill at 6A, Dudley Do-Right (1999) failed despite seemingly having the ingredients to succeed. Of note, the movie followed the formula of Fraser’s prior hit George of the Jungle (1997). Specifically, the actor went back to the well by portraying a likable doofus in a live-action adaptation of a 1960s cartoon. Furthermore, the film had an accomplished writer/director. Serving both roles, Hugh Wilson had an impressive track record which included the classic TV show WKRP in Cincinnati (1978-82) and hit movie Police Academy (1984). Even with a marketable star, a talented creative influence, and a sizable production budget of $75 million, Dudley Do-Right flopped with only $10 million at the box office. I have my own theory about why the film became a Top 10 Bust, but you’ll have to read this to find out.
Do you root for players in the NBA but teams in the other Big 4 sports? Does your favorite basketball player not play for the NBA team geographically closest to you? Prior to 1980, your answers likely would have been different. However, something “magical” happened since then. In this post, I discuss the early days of the NBA Modern Era when television stations aired playoff games on tape-delay. Starting with superstars like Larry Bird and Magic Johnson, the league made a conscious decision to promote its stars more than its teams. Fortunately, players like Jordan, Kobe, and LeBron have been able to take the game to the next level. In fact, they helped drive the game’s tremendous international popularity. The NFL is set, but perhaps MLB and the NHL could learn something from their younger (and smarter) brother.
Supernova (2000) seemingly had the ingredients to become a hit movie. First, it starred the incredibly talented James Spader and Angela Bassett. Second, it had state-of-the-art visual effects. Unfortunately, the film suffered because the studio failed to control the creative process. In particular, it endured numerous rewrites and leadership changes while stuck in production for eight years. Despite a budget of over $90 million, it earned less than $15 million at the box office. As a horrendously produced film with a financial loss of over $80 million, Supernova earned the distinction of #7 Box Office Bust.